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1) What your rudiments teacher should already have taught you, or what you should already know (or what you need to review): key signatures, intervals, cycle of fifths, solfa basics - also: "key-area" chromatic scale and "hot" notes in the key (CHROMSCL) (RELKEY) - solfa basics 2) - the "SATB" style: ranges, spacing, voicing, doubling (STYLE) - KEYBOARD style 3) - types of triads (major, minor, diminished, augmented) - types of 7th chords (maj7, 7th, m7, m7b5, dim7) - chord spelling (CHR-ID) 4) - chord symbols: - using Roman numerals to show scale step and sound (RONUM1) 5) - chord writing: triads, sevenths, inversions (CHRD-WRI) 6) - figured bass principles - figured bass realization, single chord (FIGBASS) 7) - figured bass cont'd: from given chorale phrases (REAL-FIG) - spelling / figuring of V7 & inversions (V7FIGURE) 8) - chord symbols - comparison of chord symbols with figured bass 9) - secondary V7's: spelling, scale-step/key relationship (SECV7SPL) 10) - harmonic analysis of passages from JSB chorales (inc. sec. V7's) (JSB-1) *** SECTION II - voice-leading and chord progression 11) - 2-part counterpoint: types of motion (MOTION) - illegal consecutives 12) - 4 principles of voice-leading: - #1 - tie-ability (TIEABLE) - #2 - economy (ECONOMY) - #3 - resolve-ability (RESABLE) - #4 - prepare-ability (PREPABLE) 13) - exercises in voice-leading, preparation, resolution 14) - V7 and inversions / I - concept: dissonance resolution (V7RESXMP) (V7ERROR) (V7-IINV); V7 - I6 NOT! 15) - perfect cadence - concept of phrase & harmonic rhythm (PERFCADE) - deceptive cadence 16) - approach to V / imp. cadence (HALFCADE) 17) - minor scale problems and solutions - approach to raised 7 in minor (MINOR-LN) 18) - cadential 6/4 (CADENC64) 19) - metre / accent / harmonic rhythm - NO FILE 20) - melody writing (MELODY) - pgs 1-15 21) - 1st inversion triads (63CHORDS) - idioms I6 - vii6 - I6; phrygian cadence (iv6 - V in minor) - harmonic rhythm vs bass activity - assignments: SB + figures; B + figures; figures only 22) - figured bass written realization (FIGBASS2) 23) - harmonization of melodic phrases - JSB chorale phrases (MELHARM1) 24) - V9 & V13 25) - Non-Chord Tones - printed HANDOUT - labelling n-c tones (NONCHRD1) (APPOG1) - assignment: sus's, prepared appog, accented pn 26) - Harmonic Formulas, Patterns, Sequences - root motion patterns - trtm't of 7th and roots falling 3, 5, 7 - standard ascending and descending bass (B-PTRNS) - sequence: Pachelbel - cycle of fifths; I-IV ii-V etc.; I iii vi I IV etc 27) - Harmonization: - fig. bass realization w. & w'out. melody - HARMONIZATION: phrases & melodies 28) - Preparation for next level: - sec. V7 : resolution, error detection (SECV7RES) |
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